Every show was special. Each one was a wild party as well as a theatrical experiment unified through the theme of the event.
The goal of these productions was to enable participants to achieve a collective catharsis through fantasy. Within this psychologically charged cultural emulsion the division between audience and performer generally disintegrated, and so things always became daringly improvisational. In the fever pitch of such wanton charades, the border between reality and fantasy also grew thin, and so it was that many people went hurtling beyond their known limits to achieve memorable feats of self transcendence. These cathrses, these liberations from the constraints of everyday reality have, for some, proven to be of lasting integrity.

To promulgate this experience required the semblance of careful planning. There was never so much directing in the traditional sense of rehearsing actors and so forth, rather it was a matter of extensively briefing the various performers involved so that there would be an understanding that fostered a collaborative improvisational spirit throughout the group. The director was ever compelled to put on absurd airs, and associate himself with obscure works by lesser authors in an effort to convince others of the validity of his latest contrivance. Performers were chosen for their distinct personalities, and empathy for the role they would play, and better yet mere willingness to be involved with affairs contrary to good advice. Talent was never a pre-requisite, and so frequently the most gifted of our lot did little more than portray exaggerated caricatures of themselves.